American Art Journal
From Pulpit and Press by Mary Baker Eddy
Page 57
18 [American Art Journal, New York, January 26, 1895]
“OUR PRAYER IN STONE”
Such is the excellent name given to a new Boston church.
21 Few people outside its own circles realize how extensive is
the belief in Christian Science. There are several sects of
mental healers, but this new edifice on Back Bay, just off
24 Huntington Avenue, not far from the big Mechanics
Building and the proposed site of the new Music Hall,
belongs to the followers of Rev. Mary Baker Glover Eddy,
27 a lady born of an old New Hampshire family, who, after
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1 many vicissitudes, found herself in Lynn, Mass., healed by
the power of divine Mind, and thereupon devoted herself
3 to imparting this faith to her fellow-beings. Coming to
Boston about 1880, she began teaching, gathered an
association of students, and organized a church. For
6 several years past she has lived in Concord, N. H., near
her birthplace, owning a beautiful estate called Pleasant
View; but thousands of believers throughout this country
9 have joined The Mother Church in Boston, and have now
erected this edifice at a cost of over two hundred thousand
dollars, every bill being paid.
12 Its appearance is shown in the pictures we are permitted
to publish. In the belfry is a set of tubular chimes. Inside
is a basement room, capable of division into seven excellent
15 class-rooms, by the use of movable partitions. The main
auditorium has wide galleries, and will seat over a thousand
in its exceedingly comfortable pews. Scarcely any wood-
18 work is to be found. The floors are all mosaic, the steps
marble, and the walls stone. It is rather dark, often too
much so for comfortable reading, as all the windows are of
21 colored glass, with pictures symbolic of the tenets of the
organization. In the ceiling is a beautiful sunburst window.
Adjoining the chancel is a pastor’s study; but for an
24 indefinite time their prime instructor has ordained that the
only pastor shall be the Bible, with her book, called
“Science and Health with Key to the Scriptures.” In the
27 tower is a room devoted to her, and called “Mother’s
Room,” furnished with all conveniences for living, should
she wish to make it a home by day or night. Therein is
30 a portrait of her in stained glass; and an electric light,
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1 behind an antique lamp, kept perpetually burning (1) in her
honor; though she has not yet visited her temple, which
3 was dedicated on New Year’s Sunday in a somewhat novel
way.
There was no special sentence or prayer of consecration,
6 but continuous services were held from nine to four o’clock,
every hour and a half, so long as there were attendants;
and some people heard these exercises four times repeated.
9 The printed program was for some reason not followed,
certain hymns and psalms being omitted. There was sing-
ing by a choir and congregation. The Pater Noster was
12 repeated in the way peculiar to Christian Scientists, the
congregation repeating one sentence and the leader re-
sponding with its parallel interpretation by Mrs. Eddy.
15 Antiphonal paragraphs were read from the book of
Revelation and her work respectively. The sermon,
prepared by Mrs. Eddy, was well adapted for its purpose,
18 and read by a professional elocutionist, not an adherent of
the order, Mrs. Henrietta Clark Bemis, in a clear emphatic
style. The solo singer, however, was a Scientist, Miss Elsie
21 Lincoln; and on the platform sat Joseph Armstrong,
formerly of Kansas, and now the business manager of the
Publishing Society, with the other members of the Christian
24 Science Board of Directors — Ira O. Knapp, Edward P.
Bates, Stephen A. Chase, — gentlemen officially connected
with the movement. The children of believing families
27 collected the money for the Mother’s Room, and seats were
especially set apart for them at the second dedicatory
service. Before one service was over and the auditors left
30 by the rear doors, the front vestibule and street (despite
(1) At Mrs. Eddy’s request the lamp was not kept burning.
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1 the snowstorm) were crowded with others, waiting for
admission.
3 On the next Sunday the new order of service went
into operation. There was no address of any sort, no
notices, no explanation of Bible or their textbook. Judge
6 Hanna, who was a Colorado lawyer before coming into
this work, presided, reading in clear, manly, and intelli-
gent tones, the Quarterly Bible Lesson, which happened
9 that day to be on Jesus’ miracle of loaves and fishes.
Each paragraph he supplemented first with illustrative
Scripture parallels, as set down for him, and then by pas-
12 sages selected for him from Mrs. Eddy’s book. The place
was again crowded, many having remained over a week
from among the thousands of adherents who had come
15 to Boston for this auspicious occasion from all parts of
the country. The organ, made by Farrand & Votey in
Detroit, at a cost of eleven thousand dollars, is the gift of
18 a wealthy Universalist gentleman, but was not ready for
the opening. It is to fill the recess behind the spacious
platform, and is described as containing pneumatic wind-
21 chests throughout, and having an AEolian attachment.
It is of three-manual compass, C. C. C. to C. 4, 61 notes;
and pedal compass, C. C. C. to F. 30. The great organ
24 has double open diapason (stopped bass), open diapason,
dulciana, viola di gamba, doppel flute, hohl flute, octave,
octave quint, superoctave, and trumpet, — 61 pipes each.
27 The swell organ has bourdon, open diapason, salicional,
aeoline, stopped diapason, gemshorn, flute harmonique,
flageolet, cornet — 3 ranks, 183, — cornopean, oboe, vox
30 humana — 61 pipes each. The choir organ, enclosed in
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1 separate swell-box, has geigen principal, dolce, concert
flute, quintadena, fugara, flute d’amour, piccolo harmo-
3 nique, clarinet, — 61 pipes each. The pedal organ has
open diapason, bourdon, lieblich gedeckt (from stop 10),
violoncello-wood, — 30 pipes each. Couplers: swell to
6 great; choir to great; swell to choir; swell to great oc-
taves, swell to great sub-octaves; choir to great sub-
octaves; swell octaves; swell to pedal; great to pedal;
9 choir to pedal. Mechanical accessories: swell tremulant,
choir tremulant, bellows signal; wind indicator. Pedal
movements: three affecting great and pedal stops, three
12 affecting swell and pedal stops; great to pedal reversing
pedal; crescendo and full organ pedal; balanced great
and choir pedal; balanced swell pedal.
15 Beautiful suggestions greet you in every part of this
unique church, which is practical as well as poetic, and
justifies the name given by Mrs. Eddy, which stands at
18 the head of this sketch. J. H. W.